I Don’t Even Know

Rebekah Newby March 28, 2013 psychological science Mr. Zeglin Road to Perdition Throughout Road to Perdition, Kohlbergs conjecture of virtuous Develop handst is evident loosely finished with(predicate) the Post- unoriginal pose in the crimp incorrupt rea countersigning and quest for fairness by the briny characters. Throughout the movie it follows an orphan named Mike Sullivan whos raised by a crime honcho by the name of Jeff Ro unrivalledy. Mike Sullivan then becomes a hit man for Jeff Ro atomic number 53y. One night go on the job Sullivans take in son Mike Sullivan junior witnesses him doing his job by cleaning someone.Sullivan makes his son promise to keep what he truism a secret. He then swears that his son testament keep the secret and not tell anyone scarcely Rooneys biological son Connor is not fit with this. Connor then goes and violent deaths Sullivans wife and younger child. This causes Sullivan to cave in to make some difficult choices while fleeing kal e with his son Mike Jr. Right in the beginning of the movie we witness Kohlbergs surmisal of Moral Development through the fact that Sullivan becomes pertain in crime alike Rooney.This shows the customary form of Kohlbergs Theory of Moral Development because the established pegleg states that in this stage one is more concerned with behaving in their own social roles evaluate of them by ball club. Society expects Sullivan to become involved in crime just like Rooney did because Sullivan didnt rightfully have paternal figures and Rooney was his only real pargonntal figure in life. Dep resultant on the way that one looks at it some may argue that this could excessively be the Post-Conventional stage.The Post-Conventional stage states that in this stage one will go through what they have to go through to engender fairness. One could argue that suit adequate to(p) a hit man to protect Rooney could be Post Conventional because Sullivan may feel as though it is fair to do thi s since Rooney raised him like a son. We can also see the Post-Conventional arrange of Kohlbergs Theory of Moral Development through the series of bank robberies done by Sullivan and his son.After the cleanup position of his family Sullivan requests help from Al Capone in sight to get revenge on Connor. Sullivan is declined by Al Capone and goes on a spree of bank robberies in order to get Capone to release information on Conners whereabouts. This is an example of the Post-Conventional stage Kohlbergs theory because Sullivan is able to think abstractly and is able follow his own object lesson codes. Sullivan is able to go outside of heathen morals and norms and make his own morals base on the situation at hand.Unlike the formulaic stage Sullivan is able to think in the Post Conventional stage and get revenge on those who harmed his family. The Post-Conventional stage of Moral Development is also seen closer to the ending after Maguire shoots Sullivan and Mike Jr. grabs the gu n and just about shoots Maguire. This stage of moral development is post conventional because Mike Jr. s motivation to kill Maguire is concerned with his quest for fairness and his own moral codes of killing one who kills your family.Some could also argue that this pictorial matter shows the Conventional stage where people do what society expects them to do. This shows the Conventional stage because Mike Jr. s father was a hit man and had the analogous moral philosophies. So, as a result of having a father like Sullivan society will automatically expect him to be violent and on a path to crime like other men in his family. However, in the end Mike Jr. goes against this and he exemplifies the Post-Conventional stage by not seemly involved in crime like his father.He shows his efficacy to think outside of the social norms and social expectations by doing something other than crime like his father and grandpa had done. To summarize, throughout The Road to Perdition, Kohlbergs Th eory of Moral Development we can see Kohlbergs Theory of Moral Development in many ways. We generally see the theory through the Post Conventional and Conventional stages. We are able to see these stages through the quests for fairness by Sullivan and Mike Jr. We are also able to see it through the abstract moral thinking done by Sullivan throughout the film.